ET PENDANT CE TEMPS LÀ ...

November 20, 2013

If you do it in a hard spot and you don’t want to be recognised and the chances are very big to get caught, you write another name so I would not write Twice. But if I put Gear next to my fake name, they would know I am Twice. So I put up a nickname for him. I would always dedicate, for life. […] If I am getting caught, for the trains they are more professional in keeping archives of who is writing with who and stuff like that. I don’t want to sit for 30 days in the prison. So, I write another name, so if they catch me I say ‘this is my name, do whatever you want with it’ and they can never say who is the rest of the crew? I don’t want to have this question. So, I avoid it - Twice



















October 16, 2013

There are differences. There are always different kinds of writers. You have the guys that only paint legal, only illegal, only walls, only trains. Or guys like us that do all over. We like to paint the cities, doing truck sides, but also the trains. It’s very difficult to meet somebody who is doing everything. In every city there are guys like us. We meet them and we are off. […] We share the same. One love: graffiti - Twice

I consider the city as a thing which is all for us. Nobody owns it, so I can destroy anything. You can buy a house, but the front of the house is always on the street. And the street is of nobody and I want to put my tag on the street. I don’t have any feelings for the owners of the house. Yet. Maybe it will come, when I am 40 and I am thinking ‘oh, what have I done ? But I don’t think it’s going to happen - Twice



















September 04, 2013

By the style I can see how my piece looks like. If I make a piece when I am broken, the piece looks different than when I have a very good situation, feeling good - Twice

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August 28, 2013

We grew up in the west side and across the street we had a bridge and then we came down and we saw a wall full colour of wall, from MATT that is our king. Matt put a piece there together with 3 New York writers and then we were thinking ‘where are the drips? How can you spray these fucking tags?’ The wall was so amazing, we just sit there three times a week and study, study, study. Why this shit, why this background, why these figures. Why, why, why, why - Twice

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